Tutors for the 2007 courses are as follows (subject to final confirmation):
Peter Phillips (UK, USA & Australia), David Woodcock (UK &
USA), Andrew Carwood (UK, USA & Australia), Janet Coxwell (UK,
USA & Australia), Patrick Craig (Australia only), Tessa Bonner
(UK only).
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Andrew Carwood
Andrew Carwood is one of the most versatile musicians of his generation,
dividing his time between solo and consort singing and directing his own
group at an international level. He was a choral scholar at St John's
College, Cambridge, a lay clerk at Christ Church, Oxford and Westminster
Cathedral, London before holding the post of Director of Music at the
Brompton Oratory in London for five years.
As a singer he is particularly known for his performances of the English
repertoire, from consort songs by William Byrd to the role of the Male
Chorus in Britten's Rape of Lucretia and for music of the Baroque.
He has performed with many of the British ensembles both on disc and the
concert platform throughout the world, including the Tallis Scholars,
The Orlando Consort, The Oxford Camerata and Pro Cantione Antiqua and
has performed solo roles for Sir Roger Norrington, Joshua Rifkin, Harry
Christophers, Richard Hickox, Paul McCreesh, Phillipe Herreweghe, Robert
King and Christopher Hogwood. His discography includes works by Hassler,
Vivaldi, Haydn, Warlock, Howells, Poulenc, Janacek and Christopher Headington.
As a conductor he works principally with The Cardinall's Musick and together
they have performed throughout the United Kingdom and Europe. He has become
a widely acknowledged expert on music of the 16th and 17th centuries and
is also known for the scholarly and entertaining way in which he introduces
and narrates concerts, breaking down barriers between audience and performers
and allowing the music to speak in an even more eloquent way. He has made
contributions to numerous BBC Radio programmes and is often called upon
to write notes and commentaries for many of the leading UK ensembles.
Andrew has also worked as a guest conductor with the BBC Singers, The
Sixteen, The King's Consort, Musica Reservata de Barcelona and the Aarhus
Symphony Orchestra and he is Director of the Schola Cantorum at the annual
Edington Festival of Music and the Liturgy in Wiltshire.
Janet Coxwell
Since studying at the Guildhall School of Music & Drama, Jan has
worked professionally as both solo and choral singer. While specialising
in the field of Early Music, she embraces eclectically many musical modes
- from Tallis and Purcell to backings for Bjork and soundtracks for Disney.
Jan has sung with The Academy of Ancient Music, The Sixteen, The English
Concert, Gabrieli Consort, BBC Singers, CB90 and Scholars Baroque. Jan
has been performing with the Tallis Scholars since 1991.
Jan works closely with Maidenhead composer Patrick Hawes, whose 10 song
cycle The Call - written for her - she premiered with the English
Chamber Orchestra in 1999. Their latest collaboration - a new album, Blue
in Blue - features Jan's voice "like melting honey on freshly
buttered toast" (BBC Radio 3) and the ECO. This has received considerable
acclaim from both Radio 3 and Classic FM.
Her work with Patrick has launched her into th world of media music.
What the Finanical Times describe as her "Bell-like tones" (Carissimi
Jephte, Wigmore Hall) are heard regularly on TV, radio, film, classical
recordings and the odd pop CD.
Jan enjoys travelling and performing all over the world with the Tallis
Scholars. Closer to home, Jan has led choral workshops, adjudicated competitions,
led vocal masterclasses and loves working with amateur singers of all
ages.
Despite a busy schedule, Jan still finds time to teach singing at Cheam
School in Hampshire and put her own 40-voice choir, The Cecilia Consort,
through their paces for 2 concerts each year. She lives in Highclere with
husband Andy and their 2 children Charlotte and Oliver.
Patrick Craig
Patrick
Craig began singing as a chorister at Lichfield Cathedral, and
went on to become Organ Scholar at Selwyn College, Cambridge. He then
studied at the Royal College of Music with Ashley Stafford where he took
lead roles in two Handel operas produced in conjunction with the London
Handel Festival. He is currently a Vicar Choral in St Paul's Cathedral
Choir and a member of the Tallis Scholars and the Cardinall's Musick.
He also sings regularly with the Sixteen, Westminster Abbey Choir and
the Gabrieli Consort. Patrick's recent solo engagements include Bach's
St John Passion, Haydn's Nelson Mass and Pergolesi's Stabat
Mater. Patrick is in demand as a teacher, and was for several years
Head of Singing at Harrow School. He also works regularly as a conductor
and harpist, particularly with the all-female professional choir, Aurora
Nova, which he founded in 1996. Highlights so far in 2006 have included
Concerts in Jerusalem and Greece with the Tallis Scholars, CD releases
of Byrd and Guerrero, singing for the Queen's 80th birthday in St Paul's
and taking the whole of February off with a trip to Australia.
Peter Phillips
Peter
Phillips has made an impressive if unusual reputation for himself
in dedicating his life's work to the research and performance of Renaissance
sacred music. Having won a scholarship to Oxford in 1972, Peter Phillips
studied Renaissance music with David Wulstan and Denis Arnold, and gained
experience in conducting small vocal ensembles, already experimenting
with the rarer parts of the repertoire.
Besides his work with The Tallis Scholars, Peter Phillips continues to
work with other specialist ensembles. In 2004 he appeared with the Collegium
Vocale of Ghent, broadcasting on French radio from the Saintes festival,
and with the BBC Singers, broadcasting live on BBC Radio 3. He is scheduled
to make repeat appearances with both in 2006 and beyond. In 2004 he made
his debut with teh Vox Vocal Ensemble of New York, and in 2003 with Musix
of Budapest. He gives numerous masterclasses and choral workshops every
year around the world.
Peter is also well-known as a writer. For many years he contributed a
regular column (as well as a cricket column) to The Spectator. In 1995
he became the Advisory Editor of The Musical Times, the oldest continuously
published music journal in Europe. He has published two books: English
Sacred Music 1549 - 1649, and What We Really Do, an unblinking account
of what touring is like, alongside insights into the make-up and performance
of polyphony.
Peter Phillips has made numerous television and radio broadcasts. Besides
those featuring The Tallis Scholars (which include live broadcasts from
the Proms. the Aldeburgh Festival, the Bath Festival and the Cheltenham
Festival), he has appeared several times on Radio 3's Music Weekly and
on the BBC World Service, on Kaleidoscope (Radio 4), on Today (Radio 4)
and on European, Canadian and North American radio. In 2002 the Tallis
Scholars made a special television documentary for the BBC about the life
and times of William Byrd.
In 2005 Peter Phillips was made a Chevalier de l'Ordre des Arts at des
Lettres by the French Minister of Culture and in 2006 his song-cycle for
contralto "Four Rondeaux by Charles d'Orleans" was premiered
in the Guggenheim, New York.
David Woodcock
David
Woodcock began his musical education as a chorister at Canterbury
Cathedral under Dr Allan Wicks. He returned to Canterbury at the age of
16 and completed 2 years as Cathedral Organ Scholar before going up to
Cambridge as Organ Scholar at Queens' College. During his three years
at Cambridge, he directed Queens' College Chapel Choir, the St Margaret
Society Chorus and Orchestra and the Gentleman of St John's. In September
1992, David was appointed Organist and Choirmaster at Oakham School, where
from 1995-2005, he was Director of Music. Oakham has an outstanding reputation
for the quality of its music education, and a large number of pupils go
on to university with organ and choral awards. David has a deep commitment
to fostering music education of excellence. He is a member of the MMA
Academic Sub-Committee, MMA University Liaison committee, and was recently
elected as a member of the council of the Royal College of Organists.
David still finds time to perform. Recent engagements have included organ
recitals at Cambridge and Oxford colleges, Coventry Cathedral, and singing
as a bass with The Tallis Scholars and the Choir of the English Concert.
In September 2005, David took up an appointment as Director of Music at
Harrow School.
Tessa Bonner
Born in
London, Tessa Bonner began her musical career working for BBC Television
as a production assistant in Music and Arts. She then obtained a music
degree at Leeds University, where she started singing lessons with Honor
Sheppard of the Deller Consort. After continuing her vocal studies at
the Guildhall School of Music and Drama, she became a member of various
leading ensembles including the Tallis Scholars, Taverner Consort, Gabrieli
Consort, King's Consort and New London Consort. She has appeared frequently
at London's South Bank and Wigmore Hall, as well as performing extensively
throughout Europe, the USA, Japan, Australia, Singapore and China. Recent
concerts have included the Aldeburgh Festival with the Orlando Consort,
the Brighton Early Music Festival with Musica Secreta and the Tallis Scholars
and performances of the Monteverdi Vespers with the Gabrieli Consort at
Christ Church, Spitalfields.
In addition to those with the Tallis Scholars, her numerous recordings
include Monteverdi's 1610 Vespers, Bach's St John Passion and B minor
Mass with the Taverner Consort, Monteverdi's Orfeo and Il Ballo
delle Ingrate with the New London Consort, the Purcell Odes with the
King's Consort, the Vivaldi Gloria and Bach Magnificat with
Richard Hickox and Purcell's sacred music with Philippe Herreweghe.
Tessa has enjoyed teaching private singing pupils since 2000.
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